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Question 1
20 marksHow does your prescribed text show the cost of ambition? Refer closely to the text.
Introduction
Body Paragraph
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Instructions
20 marksHow does the writer use narrative voice in this article?
Response
The pain of language loss in families is exposed through an article written by Mithu Sanyal, who effectively employs narrative voice to promote a message concerning the importance of understanding a native language. Through an anecdotal recount, statistical insight, and an expert opinion to encourage change - all woven with an inclusive narrative voice - Sanyal prefronts the necessity of learning one's native language; not for personal acheivement but familial connection. Sanyal uses voice in establishing a mutual connection with readers from the offset through an anecdotal recount. The writer immediately poses a rhetorical question that invites intimacy: asking whether readers "want to know a secret". In using this question and directly engaging with them, Sanyal gives rise to a sense of immediacy between himself and the audience, encouraging readers to obtain this secret by continuing to traverse through the text. The use of subtle details in adding phrases such as Sanyal's friend who is "an author, like [her]" further places significance upon the importance of establishing a mutual connection in communicating an apparent message regarding familial language loss. Additionally, the emulation of how the author "couldn't understand what [her father] was saying" and her inability to "pronounce [her name] correctly" exemplifies the cost of insufficient language acquisition on familial relations, highlighting the power of establishing immediacy with the reader and its effect on emotional appeal. Yet, her concise and blunt claim that she "can't even say [her] own name" magnifies her internal conflict, spotlighting how narrative voice can mould the truth into an emotional burden for the reader. Hence, Sanyal shines a light on how establishing a mutual connection better transmits her message on native language barriers. Furthermore, Sanyal's sense of immediacy, paired with a statistical insight, elevates her attempt to voice the imperativeness of language acquisition. De Houwer's studies, which reveal that "between 12% and 44% of children ... end up speaking only one language", emphasises how the struggle to claim a language is not merely limited to a number of individuals - it is instead subject to many children globally. Here, Sanyal implements such information to prompt reflection out of the reader, allowing them to question whether they are also subject to this issue. The exclamative phrase that children sense that their other language is "worthless" further underlines how such mistakes are often normalised, calling on the reader to consider Sanyal's argument as a threat towards cultural ecstasy. Thus, the author quantifies the impact of a lack of language acquisition with an emotional undertone, reinforcing the urgency of her message. Finally, Sanyal utilises an expert opinion alongside her sentimental approach towards narrative voice to encourage action from the audience. De Houwer's grave revelation that "language regret" is "not good for family relations" underscores the impact of this widespread issue, not only on individuals, but familial bonds too. The use of anaphora in elevating the importance of speaking one's parent's language "for [parents], for
General
Criterion A: Knowledge, Understanding and Interpretation
-/5Criterion B: Analysis and Evaluation
-/5Criterion C: Coherence, Focus and Organisation
-/5Criterion D: Language
-/5Rubric
| Criteria description | 1 | 2 | 3 | 4 | 5 |
|---|---|---|---|---|---|
Criterion A: Knowledge, Understanding and Interpretation | Little knowledge/understanding of the text; interpretations rarely supported by references. | Some knowledge/understanding; interpretations sometimes supported by references. | Adequate knowledge/understanding; interpretations generally supported by references. | Good knowledge/understanding; interpretations frequently supported by appropriate references. | Perceptive knowledge/understanding; interpretations effectively supported by convincing references. |
Criterion B: Analysis and Evaluation | Little analysis/evaluation of how authorial stylistic and structural features shape meaning. | Some analysis/evaluation of how authorial stylistic and structural features shape meaning. | Adequate analysis of how authorial stylistic and structural features shape meaning. | Good analysis and evaluation of how authorial stylistic and structural features shape meaning. | Insightful analysis and evaluation of how authorial stylistic and structural features shape meaning. |
Criterion C: Coherence, Focus and Organisation | Little coherence, focus and organisation. | Some coherence, focus and organisation. | Adequate coherence, focus and organisation. | Good coherence, focus and organisation. | Effective coherence, focus and organisation. |
Criterion D: Language | Rarely accurate, varied and effective. | Sometimes accurate, varied and effective. | Generally accurate, varied and effective. | Frequently accurate, varied and effective. | Convincingly accurate, varied and effective. |
Instructions
Question 3 · 4 marksFind the stationary points of f(x) = x³ − 6x² + 9x + 1 and determine their nature.
Response
Rubric
- Finds f′(x) and solves f′(x) = 01
- Finds both stationary points1
- Determines the nature of each point with a test2
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Instructions
20 marksHow does the writer use narrative voice in this article?
Response
The pain of language loss in families is exposed through an article written by Mithu Sanyal, who effectively employs narrative voice to promote a message concerning the importance of understanding a native language. Through an anecdotal recount, statistical insight, and an expert opinion to encourage change - all woven with an inclusive narrative voice - Sanyal prefronts the necessity of learning one's native language; not for personal acheivement but familial connection.
Sanyal uses voice in establishing a mutual connection with readers from the offset through an anecdotal recount. The writer immediately poses a rhetorical question that invites intimacy: asking whether readers "want to know a secret". In using this question and directly engaging with them, Sanyal gives rise to a sense of immediacy between himself and the audience, encouraging readers to obtain this secret
by continuing to traverse through the text. The use of subtle details in adding phrases such as Sanyal's friend who is "an author, like [her]" further places significance upon the importance of establishing a mutual connection in communicating an apparent message regarding familial language loss. Additionally, the emulation of how the author "couldn't understand what [her father] was saying" and her inability to "pronounce [her name] correctly" exemplifies the cost of insufficient language acquisition on familial relations, highlighting the power of establishing immediacy with the reader and its effect on emotional appeal. Yet, her concise and blunt claim that she "can't even say [her] own name" magnifies her internal conflict, spotlighting how narrative voice can mould the truth into an emotional burden for the reader. Hence, Sanyal shines a light on how establishing a mutual connection better transmits her message on native language barriers.
General
Criterion A: Knowledge, Understanding and Interpretation
4/5Criterion B: Analysis and Evaluation
4/5Criterion C: Coherence, Focus and Organisation
4/5Paper 1: Guided textual analysis
IB English A: Language and Literature · 8 submissions
| Student | Submitted | Grade | Status |
|---|---|---|---|
| Oliver Marsh | Mon 9:12am | 17/20 | Approved |
| Ethan Brooks | Mon 9:40am | 14/20 | Approved |
| Sam Wright | Mon 10:03am | 18/20 | Needs Review |
| Lena Kovac | Mon 11:20am | 12/20 | Approved |
| Zara Hassan | Mon 1:15pm | 16/20 | Approved |
| Grace Lin | Mon 2:48pm | 15/20 | Needs Review |
| Priya Sharma | Tue 8:30am | 19/20 | Approved |
| Noah Patel | Tue 9:05am | 13/20 | Approved |
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Instructions
20 marksExplain how the composer represents the tension between individual freedom and collective control. Refer closely to the text.
Response
Orwell positions Winston's private diary as the first act of resistance, yet the novel never lets that freedom stand alone. Each entry is written in the knowledge that it will be found, so the act of writing becomes both defiance and surrender.
The Party's control is most visible in language. Newspeak narrows what can be thought by narrowing what can be said, and Syme's enthusiasm for the destruction of words shows that collective control is sustained by willing participants rather than force alone.
By the final chapter the tension is resolved in the Party's favour. The closing line, that Winston loved Big Brother, reframes every earlier moment of rebellion as a stage in his re-education.
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Instructions
20 marksExplain how the composer represents the tension between individual freedom and collective control. Refer closely to the text.
Response
Orwell positions Winston's private diary as the first act of resistance, yet the novel never lets that freedom stand alone. Each entry is written in the knowledge that it will be found, so the act of writing becomes both defiance and surrender.
The Party's control is most visible in language. Newspeak narrows what can be thought by narrowing what can be said, and Syme's enthusiasm for the destruction of words shows that collective control is sustained by willing participants rather than force alone.
By the final chapter the tension is resolved in the Party's favour. The closing line, that Winston loved Big Brother, reframes every earlier moment of rebellion as a stage in his re-education.
| StudentSearch students | Teacher 2 | Teacher 3 | You | Edexia | Final | Spread | ||
|---|---|---|---|---|---|---|---|---|
Student 471 | 13/20 | 14/20 | 14/20 | 15/20 | 14/20 | 2 | ||
Student 128 | 11/20 | 12/20 | 11/20 | 11/20 | 11/20 | 1 | ||
Student 305 | 14/20 | 9/20 | 15/20 | 15/20 | 13/20 | 6 | ||
Student 219 | 17/20 | 16/20 | 17/20 | 18/20 | 17/20 | 2 | ||
Student 064 | 8/20 | 11/20 | 9/20 | 9/20 | 9/20 | 3 | ||
Student 092 | 15/20 | 15/20 | 16/20 | 16/20 | 16/20 | 1 |
Instructions
20 marksExplain how the composer represents the tension between individual freedom and collective control. Refer closely to the text.
Response
The novel suggests that freedom begins in memory. Winston's attempts to recall the past before the Revolution are fragmentary, and the Party's rewriting of records means that individual memory has nothing to hold on to.
Julia offers a different model of resistance, one grounded in pleasure rather than ideas. Her rebellion is real but limited, and Orwell uses the contrast to show that private freedoms can coexist with total public control.
Room 101 removes the last private space. When Winston betrays Julia, the Party has proven that even loyalty to another person can be turned into an instrument of the collective.
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